This article examines the role of the voice (phōnē) in ancient Greek musical thought, from archaic epic poetry to Hellenistic and Imperial theory. It traces how the voice is conceptualised as the primary musical medium, materially present in the world, capable of being “thrown” and heard at a distance, and at the same time resistant to theoretical description. Through readings of Homer, Hesiod, Aristoxenus, Theophrastus, Ptolemy, and related texts, the article argues that the voice occupies a central but paradoxical place in Greek musical culture: indispensable to performance and to the mythological imagination of sound, yet resistant to the quantitative frameworks through which musical theory was elaborated.
The Ancient Greeks and Voice: Some Remarks
Massimo RAFFA
2026-01-01
Abstract
This article examines the role of the voice (phōnē) in ancient Greek musical thought, from archaic epic poetry to Hellenistic and Imperial theory. It traces how the voice is conceptualised as the primary musical medium, materially present in the world, capable of being “thrown” and heard at a distance, and at the same time resistant to theoretical description. Through readings of Homer, Hesiod, Aristoxenus, Theophrastus, Ptolemy, and related texts, the article argues that the voice occupies a central but paradoxical place in Greek musical culture: indispensable to performance and to the mythological imagination of sound, yet resistant to the quantitative frameworks through which musical theory was elaborated.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
