La filosofia del suono in Martin Heidegger

Is it possible to draw up a philosophy of sound in Heidegger? And is a phenomenology of the world as given through sound possible? Among post-Husserlian philosophers, Heidegger most radically emphasizes the inseparability of subject and world, to the extent that he avoids using such terminology to describe this kind of synusia. However, in the Heideggerian opus this fundamental determination is indicated both narrowly and loosely. The human being (das menschliche Seiende) can inquire into its relationships with its surroundings and grasp the references (Verweisungen) that constitute significance (Bedeutsamkeit); but can also dismiss this relationship and establish a different relation to things (abstrakt hören). Through phenomenological analysis of Heideggerian texts, it is possible to trace the outlines of a phenomenology of the world as given through sound, which provides the precise coordinates of a philosophy of sound in Martin Heidegger.