L’immagine in movimento: l’einsicht del “noi”

The framing perspective chosen in this work is that aimed at understanding the multiple resonance mechanisms of moving images, from the visual perception of the movement of the actor that can be considered as a see-space to observe originally interpreting, in which the viewer makes a peculiar experience. An experience of synthesis of the permanence of one’s minimal self and the presentation of the other: in a range of entropathic acts ranging from analogy to perspective reversibility in which the other is recognizable as another ego, as opening, as waiting. We will follow the "archaeological excavation" carried out by Maurice Merleau-Ponty in some manuscripts, in part unpublished, on the human condition, embodied and social, which returns us the understanding of the fundamental relational identity of our être and shows us the way to understand, starting from the bodily, cognitive and affective dimensions that constitute us, as nous ouvrons et nous lions with what is other from us. Keywords: entropathy, cinema, embodied Situation, mirror neurons, intentional