This paper examines certain aspects of Shakespeare’s Sonnet 145, and of the epitaph inscribed on his grave in Stratford-upon-Avon, arguably the first and the last poems composed by the dramatist. Although the grave is often described as being anonymous, it is suggested that Shakespeare does name himself obliquely in his epitaph, and that there are significant analogies between the manner in which he does so and the way in which he indirectly names his wife Anne Hathaway in a sonnet that may record an episode, whether real or imagined, in the history of their courtship.
First and Final Things: Shakespeare's Sonnet 145, and his Epitaph
LUCKING, David Ian Clive
2016-01-01
Abstract
This paper examines certain aspects of Shakespeare’s Sonnet 145, and of the epitaph inscribed on his grave in Stratford-upon-Avon, arguably the first and the last poems composed by the dramatist. Although the grave is often described as being anonymous, it is suggested that Shakespeare does name himself obliquely in his epitaph, and that there are significant analogies between the manner in which he does so and the way in which he indirectly names his wife Anne Hathaway in a sonnet that may record an episode, whether real or imagined, in the history of their courtship.File in questo prodotto:
Non ci sono file associati a questo prodotto.
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
