In the present work the relation perceptive contains just as much the subjective and unstable field of sensation as it does stable field of preceptual discriminations that tend to be structured. The theoretical statment is that the experience of the encounter with a work of art, especially of music, unveils a word. No sooner do we stop seeing the work of art as an object and start seeing as a world, then we realize that art reveals itself to be expedient that clarifes the meaning of our perceptual relationship with the world, this perceptual syntony between the essence of the world and the sensing of subjects, this expressive processuality in which activity and passivity are horizont that can certainly be distinguished in description, but that cooperate internally.

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DE LEO, DANIELA
2013-01-01

Abstract

In the present work the relation perceptive contains just as much the subjective and unstable field of sensation as it does stable field of preceptual discriminations that tend to be structured. The theoretical statment is that the experience of the encounter with a work of art, especially of music, unveils a word. No sooner do we stop seeing the work of art as an object and start seeing as a world, then we realize that art reveals itself to be expedient that clarifes the meaning of our perceptual relationship with the world, this perceptual syntony between the essence of the world and the sensing of subjects, this expressive processuality in which activity and passivity are horizont that can certainly be distinguished in description, but that cooperate internally.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11587/385413
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